Back To Square One - Culprit Club One Year Birthday Show

To celebrate our ripe upcoming age of one-year-old, we popped our birthday off with giant group show title 'Back To Square One' featuring the collaborative works of over 40 artists who’ve been the heart of The Culprit Club over the last 12 months.

Aeon, Aidan Ryan, Alex Lehours, Arswandaru, Bafcat, Blex, Buttons, Billie Schneider, Chris Doyle, Chehehe, Chrissie Abbott, Dean Nenadich, Diz, Drule, Emmanuel Moore, Funeral French, Graham Hare, Hanna, Inkboy, Irok, Ivo, James Nye, John Kaye, Kiss, Kiel Tillman, Lauren Webster, Lusid Art, Lucinda Wolber, Lucks, Luke Henery, Maid, Markus Ravik, Memos, Oh Noes, Pat Rogasch, Phibs, ProCreativ, Reuben Stocks, Ryan Bowels, Sevens, Shaman, Soda Mouf, 1337.

the culprit club lusid art brisbane winn lane back to square one graffiti
theculpritclub back to square one winn lane brisbane
the culprit club back to square one winn lane brisbane
the culprit club back to square one brisbane winn lane fortitude valley
the culprit club back to square one brisbane
the culprit club brisbane winn lane fortitude valley back to square one
ink boy back to square one artist residency brisbane the culprit club

Photos by our resident photographer big boss Markus Ravik. 


The Culprit Club is proud to announce, BUSH FABLES – a solo exhibition of new works by Brisbane-based artist and illustrator, Courtney Brims launching Friday 09 June, 6pm in Winn Lane, Fortitude Valley. 

Inspired by the beauty of the Australian landscape, Courtney Brim's incredible new series of work, promotes appreciation and awareness of our unique biodiversity, while exploring ideas of destruction, displacement, rebirth, and the delicate connectedness of nature.

We catch up with the lovely lady herself to talk through the concepts and ideas of the show, and well as her inspirations and experiences as an artist. 

bushfables courtney brims the culprit club

How would you describe your style in one sentence?

CB: Loaded with tiny details and always a touch of macabre.

What’s the premise behind the Bush Fables show?

CB: The whole idea behind this collection of work was to bring attention to our beautiful endangered wildlife and plant species.

How do Australian fairytales and Picnic at Hanging Rock come together in contrast in your work?

CB: I wanted to mesh together the sweetness of Snugglepot and Cuddlepie with the surrealism of The Magic Pudding and the eeriness of Picnic at Hanging Rock. I feel like the Australian bush has all three of those qualities.

It's the idea of nature being this beautiful, cruel beast that's mysterious and dangerous yet vulnerable and fragile. There's this line from The Witches of Eastwick that says 'nature absorbs all', which kind of sums up my this collection perfectly.

With Picnic at Hanging Rock, I guess, in a slightly disturbing way, I've always liked the idea of these three ethereal girls walking off into the bush and vanishing, like the wilderness just gobbled them up.

In my narratives I'm not necessarily representing humans as the baddie. We're definitely not blameless for the state these species find themselves in and a lot of my pieces touch on the issues of feral predators and land clearing, but I wanted to focus the attention on how wonderful and unique our species are, rather than focusing on the blame.

Whether the bone fragments are humans that have perished because of how they treated the earth, or whether like Miranda and co, they have been absorbed into the bush, I like to keep it fairly open for interpretation.

The vibe of the show really remind us of Fern Gully! It’s like you’re whispering Magi’s words of wisdom! What do you want audiences to take away from seeing the show?

CB: To go home and watch Fern Gully!! Not to take what we have for granted, be a responsible pet owner and familiarise yourself with the awesome work of conservation groups like Bush Heritage, Australian Wildlife Conservancy and Arid Recovery.

How much time do you spend creating each piece?

CB: Anywhere from a few days to a few weeks.

What materials do you use to create them?

CB: I use of combo of Polychromos and Prismacolour pencils on paper.

What's you favourite thing about Australia’s native species and why?

CB: The diversity! Mountains, deserts, beaches, woodlands, reefs, rainforests. It gives us the most amazing biodiversity.

If we were to rummage through your backpack, what would we find?

CB: Crackers. I rarely leave the house without snacks.

What would you be lost without in the world?

CB: I guess it would be really inconvenient if I lost my right hand.

If you could be any native creature / critter, what would you be and why?

CB: A quokka! They seem so damn happy with life!

courtney brims the culprit club brisbane bush fables winn lane
courtney brims bush fables brisbane the culprit club


This week our friend ProCreativ gave the gallery wall some flavour! Completed entirely with brush and acrylics, it's safe to say he went well past the extra mile on this one. Pop into Winn Lane and check it out before out next show in June!

Check back to our last interview with the legend here.


For mural enquiries for your business, contact Steve at

Having spent many years travelling, ProCreativ cut his teeth early in the streets of Brisbane. Now working from his studio at Jugglers Art Space in Fortitude Valley, he spends the bulk of his time working on murals and large-scale projects in the area. With his hunger for new challenges, proficiency in aerosol, brush and digital mediums and 20+ years of experience, ProCreativ splashes dedication and talent through each piece he creates. His style is as commendable as his kind, creative soul. 


It’s with a heavy heart, and prodigious pride that The Culprit Club announce, ‘Life Ruined My Graffiti’, an east coast touring solo show by prolific graffiti writer, IROK.

‘Life Ruined My Graffiti’ is an exceptionally personal series of hand painted portraits and prose expressing the frustration, heartache and hardships of IROK's double life as a vandal, and a father.


Frothing these shots showing off Dean Nenadich's portrait pieces for his upcoming solo at The Culprit Club, It's Not Me, It's You. Huge thanks to the fam at Ironlak for hooking him up with the new art and deisgn product range. Stills and video by Angus Akacich. 

Dean Nenadich it's not me it's you the culprit club brisbane art ironlak
DEAN NENADICH ironlak the culprit club graffiti art brisbane gold coast
dean nenadich it's not me it's you graffiti art brisbane ironlak the culprit club
dean nenadich it's not me it's you the culprit club brisbane ironlak
dean nenadich it's not me it's you the culprit club brisbane ironlak


We couldn't have found a lovelier lady to take on The Culprit Club's second Residency placement. Lucinda Wolber will be creating a cheeky and cute illustrative/watercolour series titled 'Nude Life' throughout her time with us. As an artist we've watched progress through many local Brisbane art shows over the last few years, it's an honour to have this adorable creative utilising the space. Read more about her inspiration, style and thoughts on the local creative industry below.

lucy wolber the culprit club brisbane art resident artist

How would you describe your style in one sentence?

I like to make art that makes people smile.

Tell us about the body of work you’re creating throughout your Culprit Club residency?

I’m going to create a series called ‘Nude Life’ which will take a cheeky look at things people do in the nude, nothing too rude. I’ve never done any nudes so it should be fun! If I get that finished I’m going to start on a nature series exploring people spending time with nature, camping, walking, swimming etc.

What inspires your colour pallet and optimistic illustrations? They always seem so cheery.

I suppose my medium, watercolour, inspires my colour pallet, the way I use the colours they always turn out very translucent. I start off really light and build the colour up with more layers if I want it darker or brighter.

In regards to subject matter, I just like creating illustrations that make people chuckle. I get a lot of inspiration from my friends and husband. I hope by drawing fun stuff viewers might feel a connection to the work through memories from their own lives.

How long have you been illustrating?

At uni my major was printmaking, when I graduated in 2010 I didn’t have access to the studios anymore and it was had to continue with that practice. I started illustrating after that because it was easy to do at my little desk at home.

How/where did your interest in art begin?

I’ve always loved drawing and painting. When I was a kid we had a ‘feature wall’ next to the dining room table where my Dad would sick up all my creations, even if they weren’t very good. When I left high school I took a few years off to decide what I wanted to do with myself and I decided the only thing I really felt a passion for was art so I decided to do that at uni. Although I can appreciate conceptual and academic forms of art, in my own art practice I have always leaned towards the low brow side of things.  

Who're you favourite artists, and why?

There are so many! I love Femke Hiemstra, David Shrigley, Lili Piri, Kristen Liu Wong, Sean Morris, Stephen Bird, AJ Fosik, Jeremy Fish, Courtney Brims among many others. I like all these artists because they have amazing technical skill and use of colour and they are all interested in creating a sense of whimsy or humor in their artwork which inspires me in my own practice.

If we were to trawl through your backpack, what would we find?

Today my backpack has two magazines, a book, pens, a notebook, my computer, some lip balm, gum and my lunch.

Do you think Brisbane has enough initiatives to offer local artists?

In terms of opportunities for emerging artists who choose not to pursue a conceptual or academic based arts practice I don’t think there are enough affordable opportunities to exhibit in a real gallery environment. I suppose we will just have to keep making our own opportunities and supporting each other in the industry.  

What's the best and worst things about Brisbane's creative industries? 

In Brisbane we are lucky to have some amazing art institutions, university art galleries and commercial spaces to give us inspiration. The worst thing is the lack of gallery spaces that feature alternative forms of art and design. I think that illustration and ‘lowbrow’ forms of art have a lot to offer and this is not necessarily recognised or valued enough in Brisbane like it is in cities like Melbourne and Sydney.

Where can people find more of your work?

I sell most of my work though Retrospect Galleries in Byron Bay. You can also find my work at The Happy Cabin in West End. Or if you’d like to chat about a commission you can contact me via my Facebook page ‘The Art of Lucinda Elisabeth Wolber’. 


As a close friend and extended family to The Culprit Club, it gives us great pleasure to introduce ProCreativ. Having spent many years travelling, he cut his teeth early in the streets of Brisbane. Now working from his studio at Jugglers Art Space in Fortitude Valley, he spends the bulk of his time working on murals and large-scale projects in the area. With his hunger for new challenges, proficiency in aerosol, brush and digital mediums and 20+ years of experience, ProCreativ splashes dedication and talent through each piece he creates. His style is as commendable as his kind, creative soul. 

procreativ the culprit club

How would you describe your style in one sentence? 
Tentacle inspired, funkified movement, with a touch of darkness and a twist of light. 

Tell us about the current piece you have available at The Culprit Club?
“Octoblast”. It’s an exploding octopus. Acrylic on canvas. 

Where did your creative career begin, and how did it progress to where you are now? 
It began with copying my uncles 70s record sleeves as a 10 year old kid, I then discovered illegal graffiti at 13 which blew my mind. Most of my art training was done on the streets during the 90s.. This eventually led me to crave creativity of any kind. I was in a career where I wasn’t happy, so I ended it, and began my art journey. Now I work on mural projects, illustrations, canvases, digital art, hand painted signage and art installation. 

Who are your major creative influences, and why? 
So many and for so many different reasons. Alphonse Mucha and H R Giger had a massive influence on me in my younger days, with the flow and energy in their works. Glen Barr, Anthony Ausgang, AAron Horkey, Hannah Yattah, Onour, Rough, Robert Williams and the list goes on. Old school writers like Merda, Delta, Puzle, Cruel, Dio. They were, and still are, true style innovators. My daughter, just because. My friends and peers who are always pushing forward. They influence my drive. 

What’s the best and worst things about being a Brisbane local artist? 
Best thing: Being part of something that is alive and thriving, with a bright future.  Worst thing: Not enough diversity in artists getting opportunities.... And all that buff. 

Do you find it difficult sourcing paid mural work in the city? 
Sometimes. It depends how hard I go looking for it.

If we were to trawl through your studio, what would we find? 
Paint, works in progress, a sketch book from 1990. My studio is my base but anywhere can become a makeshift work space. 

What’s the future got in store for Procreativ?
A life time of creativity. Keep sharpening the blades. Exciting projects and good times. 

Where can people find more of your work? 
A few random walls around Brisbane, several bars in the valley, Aether Brewing at Milton has my art on all their beers, my lounge room, and I exhibit regularly in group art exhibitions like No Acronym.

@Procreativ and @Procreativ_digital on instagram   /


Welcome to the mind of Bella Reboul - our first resident artist for 2017. Having only been illustrating using her signature stippling technique for 6 months, Bella's humble creative concepts express an air of quality and compassionate creativity well beyond her years. We're very excited to welcome her into The Culprit Club for our one month residency program to continue creating her latest body of work, Exodus.


How would you describe your style in one sentence?
I would describe my style as stippling or dot-work based illustration. 

Tell us about the body of work you’re creating throughout your Culprit Club residency?
During my time at The Culprit Club I will be creating a body of work called Exodus which portrays extinct or critically endangered animals. Exodus mainly consists of portraits of these animals based on natural history drawings and aims to bring to light the mass biodiversity loss that we have been experiencing in recent times. I do not try and place blame for these extinctions in my work, by rather try to encourage my viewers to understand the significance of the loss of these creatures. 

What inspired you to make this your creative focus?
My focus on animals is born of my innate curiosity regarding the natural world. It is mainly as a result of my zoology studies that Exodus came about, as I think understanding an animal's adaptations such as behaviour and physiology makes it that much more enticing to draw. Australian creatures are particularly interesting to me purely from a scientific and evolutionary perspective as the isolation of Australia from other land masses resulted in a number of unique species lineages that will become totally extinct if not protected. 

How long have you been illustrating?
I have been illustrating using stippling for about 6 months. 

How/where did your interest in art begin?
I have always been interested in art and cannot remember an age where I was not drawing or painting to some extent, but it wasn't until about year 10 that I realised how important art was to me. I was fortunate to have incredible art teachers in high school who took a very contemporary approach to art education and that opened my eyes to modern art. 

Who're you favourite artists, and why?
I have always been fascinated by the works of Patricia Piccinini, despite working more as a sculptural artist. Her grotesque, organic forms have always intrigued me and I love the interactions she creates between the children and creatures in her work. It is from her that I have learnt that I do not necessarily have to accuse or blame my audience for anything but can rather present them with material and an issue (for me mass extinction, for her usually genetic modification) and let them form their own opinion on the subject. More pertinent to my body of work are the works of Walton Ford, which I find to be an almost paradoxical mix between natural history illustrations and surrealism. 

If we were to trawl through your backpack, what would we find?
My backpack always contains a sketchbook and pencil case, both things I can never go without! I don't like clutter, so I usually only really have necessities like my purse, sunglasses and earphones, but often I keep leftover brochures from galleries I've visited and unnecessarily old receipts.

Do you think Brisbane has enough initiatives to offer local artists?
I think Brisbane has some wonderful initiatives for local artists but they can be very difficult to find. When I was 15 I painted a traffic signal box in the Valley/Newstead through a Brisbane City Council art initiative called Artforce which is still in place today. Visible Ink is also an amazing space in the Valley provided by the Council for artists to use for free to rehearse or create. I entered the art scene through a collective called Primary Arcade and later TBC. My only 'criticism' is that unless you know the right people I think these events and groups can often be difficult to find. 

Where can people find more of your work?
On instagram @bellareboul

If you're interested in applying for an artist residency for 2017, click here for application information. 


Two of our favourite street vigilantes have put together a very interesting secret pop up show, scheduled for this Sunday! 

Although the location for their show has not yet been revealed, we do know there will be a giant cardboard castle in the making that will be hosting a number of new artworks by Graham Hare and Soda Mouf, all available for purchase at this event only.

We have a sneaky suspicion we might know where in West End.. Let the games begin!